Dating contemporary fender amplifiers
And of course, your Champ can be mic’d to be used in just about any size venue.
Just grab your guitar and this little powerhouse and head out to the gig.
Beginning in late 1963 and continuing into mid-1964, Fender used up remaining old “Tweed style” Champ chassis and cabinets, but with Blackface cosmetics; Leo Fender was famously known as a skinflint when it came to minimizing production costs.
After all, he was the guy who reused his styrofoam cup for coffee.
Sometimes referred to as the “Baby Twin,” the Pro Reverb provided a lot of musical firepower and fit the bill in larger venues.
Tech Specs: The 4x10” Concert amp put out about 40 watts.
Still, with this amp, you get a lot of oomph and versatility in a compact and relatively light package.
Overshadowed by the Princeton Reverb, which is widely considered one of the most famous studio amps ever built, the non-reverb Princeton is a sleeper hit.
Its existence in the shadow of its reverb-capable brother is a shame, as it offers some of the finest pure Fender tones you can find in a compact package.
These amps, fondly referred to as the “lunch box,” were sold by the thousands to students and professionals alike.
Immediately popular for studio use, they also found favor from musicians playing small gigs.
With the Deluxe, you get a lot more bass response and plenty more clean headroom.