Dating game insane clown posse wikipedia
I'd go through your phonebook and whack em all And find contestant #1 and break his fuckin jaw!
Anyone who looked at ya, would have to pay I'd be blowin fuckin nuggets off all day!
The album was taken off shelves by Hollywood hours after its release, in response to criticism from the Southern Baptist Church of decisions that the church believed did not reflect Disney's family-friendly image, although Disney claimed that the album was released due to an oversight by its review board.
After Hollywood terminated the group's contract, Insane Clown Posse signed a new contract with Island Records (whose parent at the time, Poly Gram, distributed Hollywood releases in North America), which agreed to release the album as it was originally intended.
Although the album was poorly received by critics, it debuted at number 63 on the Billboard charts, and was later certified platinum by the Recording Industry Association of America (RIAA).
(Host) Well it sounds like contestant #2 is just overflowing with sensetivity Sharon, It's a tough choice so far, Sharon, let's have your last question And see which one is gonna win the right to your next date (Sharon) Ok, if we were at a dance club, And you both noticed me at the same time, Tell me, how would you each get my attention And what would your pick up lines be? Ok, first, I'd slide up to the bar And tell you that I can't believe how fuckin fat you are! I'd order you a drink, and stir it with my dick And then to get your attention in a crowded place, I'd simply walk up and stick my nuts in your face!Island then re-released the album on August 12, 1997.The music of The Great Milenko features a rap rock sound and features guest appearances by popular rock stars Alice Cooper, Steve Jones and Slash.Disney requested that the tracks "The Neden Game", "Under the Moon", and "Boogie Woogie Wu" be removed because of lyrics referencing abuse of women, rape and murder, and the slaughter of children, respectively.Several songs were recorded with the intention of releasing them on The Great Milenko.
Stephen Thomas Erlewine of All Music wrote, in his review of The Amazing Jeckel Brothers (1999) that, "The Great Milenko [...] was targeted at white-boy, adolescent metalheads -- really, how could any album that contained guest spots from Alice Cooper, Slash, Steve Jones and Legs Diamond be anything else?