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as his pick for a weekly ‘film club’ with mates and was never allowed to choose the movie again. The story is similar; it too features three filmmakers who venture out into the woods in search of a local bogeyman – in this instance, the ‘Jersey Devil’ – and amateur camera footage of their deaths is all that’s retrieved.
Solondz is not someone to sugarcoat the American Dream; here he twists it into a nightmare, focusing on a series of relationships so inherently doomed, and featuring people so desperately flawed, you quickly realise the film’s title is sarcastic. But where Blair Witch’s trump card was its ramshackle nature – the feeling that you were actually in that tent, being molested by spirits – was an epic in the truest sense of the word: shot on real water, with all the logistical complications that come with that territory, it was labelled a damp squib upon release but time has been kind to Kevin Costner’s folly.
In an interview with Huffington Post, Jimmy clarified on getting married so early by saying: Mother of Two Children!
She met the comedian when the duo was studying at Arizona State University and started dating right away.
As Jimmy lacked self-confidence, being in a relationship thrilled him and decided to get married.
sad little centre is Philip Seymour Hoffman’s Allen, an overweight loser with paedophilic tendencies and murderous fantasies – it’s a masterpiece of unsympathetic acting and Solondz, as is his wont, pulls no punches. It’s easy to see it as a once-in-a-decade singular vision of an apocalyptic wasteland – easily the aquatic equivalent of for something much darker and way more meaningful: an exploration on how an undistilled diet of television can turn a man into a monster.
Reminder: this was made in 1996 – back when we only had four terrestrial channels in the UK – so it’s fair to say it was ahead of its time.