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When I left, I nearly tripped up over his fucking umbilical cord.” (Malcolm Tucker) The story was born out of the real-life dysfunction that haunts politicians and government offices on both sides of the pond.
In the earlier stages of his career, Beaufoy often lost control over his screenplay, which went on to go through smaller and bigger changes in the hands of whoever and often with dire consequences.
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Such as Blow Dry (2001) with Alan Rickman – a film reported to be terrible – that Beaufoy has never seen.
Beaufoy found himself constantly being defensive, “protecting” his work, so that it wouldn’t get “ruined” by the others, it was like always wearing a helmet to a meeting, but he started becoming more flexible over time and learned to get over the anger.