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Her dream was to become a weird character actress, like Ruth Gordon from Behind her the two Moving Men bring in a matching blue leather armchair. Lydia, age 14, is a pretty girl, but wan, pale, and overly dramatic, dressed as she is in her favorite color, black.She's a combination of a little death rocker and an '80s version of Edward Gorey's little girls.... we like her a lot., by Michael Mc Dowell and Warren Skaaren; she got that part, despite mistaking Tim Burton for a prop guy at her audition.Winona Ryder has this problem, and as problems go it's pretty solidly in the first-world category, she knows, but it's a problem, still: She'll be having a conversation with somebody—an interesting conversation, the kind two regular people have when they discover a mutual admiration for, like, Philip Roth's nearly everyone she meets already has "this whole idea" of who she is, already thinks they know everything there is to know about her, more or less. I was like, ' He's anti-Semitic and he's homophobic.' No one believed me! But everything I think I know about Winona Ryder, famous actress, is sort of burning a hole in my pocket, and I'm starting to wonder if she's doing this on purpose, trying to blow past that moment where we acknowledge the room's considerable elephant population.And inevitably when this happens, she starts thinking about what it is people think they know about her, which is never a good idea, and the conversation never really recovers. He said something about 'oven dodgers,' but I didn't get it. When she does allude to the elephants, it's in passing, as if I wouldn't know they're there—she says things like "My first relationship was very public" (you don't say!They talk past each other, like people do in Jim Jarmusch movies, and then Rowlands offers Ryder a part in a movie. "Are you saying you just wouldn't be in being a movie star? " She stops, frustrated—it's not coming out right. The movie is Gen X halfheartedly pleading its case to history; the only jokes that really land are the ones Stiller aims at MTV-sanctioned faux-alternative culture, because as the former star and co-creator of MTV's long enough to tell her, "All you have to be by the age of 23 is yourself." Ryder was about that age here, and had already checked herself into a psychiatric clinic, for anxiety and depression.
Ryder—tiny, in a newsboy cap and a City Lights Bookstore T-shirt and a tangle of gold necklaces—has been talking about the . Ryder's in it for maybe ten minutes, and all of them are crazy and important.
"She had the kind of presence I had never seen—an inner life.
Whatever message was being said by her mouth was being contradicted by the eyes.")Her parents worried.
She's told me embarrassing stories about famous people who deserve to have embarrassing stories told about them.(A Mel Gibson anecdote: "I remember, like, fifteen years ago, I was at one of those big Hollywood parties. She's the former ingenue who refuses to go quietly when Cassel pushes her aside in favor of Portman. It's harder to find good roles, and suddenly there's new girls.
The character is a raging mascara-smeared wreck who embodies, in a Ghost of Christmas Future kind of way, everything the movie has to say about the terrible toll performance extracts from young women. I'm at that age I've been warned my whole life about."Think about J. Abrams's reboot last year, where Zachary Quinto, just six years younger than Ryder, played Spock, and Ryder, in a weird Grey Gardens head scarf, played his mom, and how weird that was, even in the context of a movie involving time travel.